burnt umber - translation to spanish
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burnt umber - translation to spanish

BROWN OR REDDISH-BROWN EARTH PIGMENT
Raw umber (color); Raw umber (colour); Burnt umber; Burnt Umber; Raw Umber; Raw umber; Burnt umber (color)

burnt umber         
Pardo oscuro tostado
umber         
ocre oscuro
burnt offering         
  • [[Noah]] burning offerings on an altar to the Lord ([[Gerard Hoet]], 1728).
  • The Altar of Incense, Altar of Burnt-Offering, and Laver from the biblical Tabernacle; illustration from the 1890 Holman Bible
WIKIMEDIA DISAMBIGUATION PAGE
Burnt Offerings (disambiguation); Burnt Offerings; Burnt Offering; Burnt Offerings (novel)
sacrificio abrasado (tipo de sacrificio)

Definition

burnt umber

Wikipedia

Umber

Umber is a natural brown earth pigment and color that contains iron oxide and manganese oxide. In its natural form, it is called raw umber. When calcined, the color becomes warmer and it becomes known as burnt umber.

Its name derives from terra d'ombra, or earth of Umbria, the Italian name of the pigment. Umbria is a mountainous region in central Italy where the pigment was originally extracted. The word also may be related to the Latin word umbra, meaning "shadow".

Umber is not one precise color, but a range of different colors, from medium to dark in value, from greenish to reddish in hue. The color of the natural earth depends primarily upon the proportions of iron oxide and manganese in the clay. Umber earth pigments contain between five and twenty percent manganese oxide, which accounts for their being a darker and less saturated color than the related earth pigment, sienna. Commercial umber pigments vary in color depending on their origin and how they are processed. Not all pigments marketed as "umber" contain natural earths; some contain synthetic iron and manganese oxides. Pigments containing the natural umber earths are typically identified by the Color Index Generic Name, PBr7 (Pigment brown 7).

Examples of use of burnt umber
1. The colors change from burnt umber to Easter egg.
2. Some sociopaths apparently decided that Stanford‘s Junipero House lounge would look better in burnt umber, and a late–night firebombing redid our common–room decor accordingly.
3. There‘s lots of burnt umber and black paint on display at the Tate, for the good reason that whiteness has traditionally been the colour of the good, and daylight is associated with the ordinary.